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Project    Exhibition Displays for SNG

Logo ain't gonna fix it

 
Lenka Hámošová   70   339cm
 

In 2010, Slovak National Gallery commissioned the students from Visual Communication department to design a new logo. The new logo was supposed to solve all visual needs of the gallery. Ideally in a such way, that even an administration office worker would be able to do the job of a graphic designer and create all necessary visual materials. I didn’t make any new logo. Not just because we all know logo is dead, but because I wanted to offer a better solution: whole new visual identity based on the administration workers most favourite thing: the punched-pocket sleeves.⠀

These visual displays – a wall of punched-pockets sleeves – were designed to announce new exhibitions. The grid system based on the normal size sleeves and poly-pocket sleeves allowed multiple layers of information that could be displayed. Three different sizes of the headlines, main image in the background, small images in the foreground and combination of all these. It had many advantages, including resistance to water (the gallery had problems with leaking roof at that time) and easy-to-handle maintenance without the need to hire an in-house graphic designer.⠀

The grid was constructed from horizontal A4 formats, some of them with poly-pockets, what allowed the use of three different sizes of letters. Filling it with random materials, you’ll get unlimited options of visual effects and color combinations.

The detail of the electric socket shows the necessity of ad hoc creativity, when it’s impossible to take all the gallery’s peculiarities into account. In 2010, the Slovak National Gallery was a bit different gallery. One could find many smaller or bigger details, that were undermining the idea of well functioning institution. Commissioning students to design new logo and expect it to solve all visual problems seemed to be very a short-sighted strategy. Apparently there wasn’t any visual system that would address the needs of the gallery and everything used to be solved at the last minute by administrative workers with almighty punched pockets sleeves.

I want to say a lot has change meanwhile and today the Slovak National gallery has proper visual identity and all. But I suppose mostly because of realising that this kind of institution just can not run without in-house graphic designers. ⠀

author of the text: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs
 
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Lenka Hamosova

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08–03–2019   15–12–2010

The custom typography defined by the display's grid

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

The custom typography defined by the display's grid

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

Detail of electric socket

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

documentation of the situation in the gallery in 2010

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

documentation of the situation in the gallery in 2010

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

documentation of the situation in the gallery in 2010

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

documentation of the situation in the gallery in 2010

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

Just put all the information inside a punched pocket sleeve

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

Four different grids

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

The visual possibilities of punched pocket sleeves displays

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

Without hiring an in-house graphic designer

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

Detail of the punched pocket sleeves

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

Main exhibition display

author: Lenka Hámošová
license: Attribution-NonCommercial-NoDerivs

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